Bio

The music of American composer, conductor, and pianist Jeremy Gill is celebrated for its emotional breadth and diversity of expression. His vocal music ranges from “vibrant settings” (Gramophone) of texts by Blaise Pascal for vocal sextet through song settings of texts by Italo Calvino, Anne Carson, Ann Patchett, and Georg Trakl to “vividly colored” (The New York Times) dramatic reworkings of Ancient Greek texts and modern authors like Don Nigro and Michael Zand. His orchestral music is “replete with imaginative textures” (The Dallas Morning News) and includes concertos, tone poems, and symphonies. His chamber music possesses, at times, a “trance-like intensity” (The Boston Musical Intelligencer); it is “fresh and clever,” and “a compositional tour-de-force” (American Record Guide) that reveals “a rapidly shifting exploration of past, present, and future” (I Care If You Listen).

The 2024–25 season will feature the world premieres of Four Legends from the Silmarillion, an hour-long set of orchestral tone poems commissioned by Boston Modern Orchestra Project, Epiphanies, a set of five orchestral songs to be premiered by soprano Robin Johannsen and the Harrisburg Symphony, and Ida by Lamplight, a short opera commissioned by the Chautauqua Opera Company to a libretto by Jerre Dye. Jeremy will be living and working in Berlin for the first half of the 2024–25 season, and while abroad, will hear the world premiere of Anna Dreams of Mazurkas by Polish pianist Anna Kijanowska in Cieszyn, and will give the German premiere of his song cycle Helian with baritone Johannes Held at the celebrated Piano Salon Christophori in Berlin.

Notable recent premieres include Tout le monde à la fois (2022), an Eastman Centennial work for massed oboes, oboes dʼamour, English horns, bassoons, and contrabassoons, commissioned by Richard Killmer and premiered by the Eastman Schoolʼs double reeds; Corvus Mythicus (2021), commissioned by the Dallas Symphony Orchestra to celebrate the installation of Dutch artist Arie Van Selmʼs Crow sculpture at the Meyerson Symphony Center in Dallas; the New York Classical Players and the Parker Quartet in Motherwhere: Bagatelles for Strings, after Bán (2021), an NYCP-commissioned concerto for string quartet and string orchestra; Concerto dʼavorio (2019) by pianists Orion Weiss and Shai Wosner with the Chautauqua Symphony under JoAnn Falletta; and The Journey (2019) by soprano Marianna Suri, bass-baritone Chuma Sijeqa, and the Citizens of the World Choir under Jeremyʼs direction at the Illuminate Rotherhithe migration festival in London. The Journey was selected to close Tête à Tête: The Opera Festival 2022, also in London, featuring the same cast.

Recordings of Jeremyʼs music are available from Albany Records, BMOP/sound, Czech Radio, Open G Records, Musica Solis, and Innova Recordings. These have garnered extensive praise, both nationally and internationally. Deemed “a fine pianist” by the New York Times, Jeremy regularly appears as a pianist and conductor in music of his own and by his contemporaries. He has been a featured performer at major U.S. venues including Calderwood Hall (Isabella Stewart Gardner Museum), the Kennedy Center, Merkin Hall, National Sawdust, the Mansion at Strathmore, and internationally at the Museo dʼArte Orientale in Genoa, Italy; Old Town Hall in Brno, Czech Republic; the Cockpit Theatre in London, UK; and Elvermose and Mantziussalen in Denmark.

Jeremy has conducted many world premieres with the Dolce Suono Ensemble, the Mendelssohn Club of Philadelphia, Network for New Music, and the Tactus Ensemble of Manhattan School of Music, among others. In recent seasons he has served as an assistant conductor for Juilliard Opera (2018), and guest conductor for the Tactus Ensemble (2018–22). During the 2019–20 season he conducted the chamber and main stage operas for NYU Steinhardtʼs Vocal Performance program.

Born in Harrisburg, PA in 1975, Jeremy studied oboe, piano, and composition before entering the Eastman School of Music. He received his PhD from the University of Pennsylvania in 2000, and studied internationally at the American Conservatory in Fontainebleau (1993) and the Czech-American Summer Music Institute (1999). His principal teachers include Samuel Adler, George Crumb, Robert Lau, Yinam Leef, David Liptak, James Primosch, Jay Reise, George Rochberg, Christopher Rouse, Joseph Schwantner, and Anna Weesner. He has served as the Composer in Residence with Chautauqua Opera, the Harrisburg Symphony Orchestra, and the Newburyport Chamber Music Festival. Jeremy has received major awards from the American Academy of Arts and Letters, ASCAP, BMI, and the League of American Orchestras, and has enjoyed artist residencies at Bogliasco, Chautauqua Opera, Copland House, the MacDowell Colony, Villa Schoeck, and Willapa Bay. He edited A Dance of Polar Opposites, a theoretical-philosophical work written between 1955–2005 by George Rochberg, published by the University of Rochester Press in 2012.